"Mr Fong was inspired by the way that photographs can summon up a three-dimensional scene even though they only have two dimensions themselves.
So he started to think about how it would be possible to display time - sometimes called 'the fourth dimension' - using only a static 2D picture.
The basic structure of a landscape is present in every piece,' Mr Fong said. 'But each panel or concentric layer shows a different slice of time, which is related to the adjacent panel/layer.
'The transition from daytime to night is gradual and noticeable in every piece, but would not be something you expect to see in a still image.
'Similarly, our experience of a scene is more than a snapshot. We often remember a sequence of events rather than a still frame full of details.'"
Scott Hazard
Mads Perch
Lee Kirby
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